Plain Talk

TOKYO NOTICE BOARD MARCH 22. 2019

Zazenkai by Kai Raine

By the most obvious metrics, I was at maximum disaster level for my first zazen meditation session. I chose my first zazen session based on convenience of time and location: Zeshou-in, a zen temple in Bunkyo-ku. Beginners must request admission at least a day in advance. I sent my request at 11:50pm the day before I wanted to go. The following morning, I received the confirmation email. I headed for what I thought was the temple that evening, excited and trepidatious. Instead, my phone sent me to an empty parking lot atop a small cliff. In the parking lot, I looked over the railing and saw what looked suspiciously like a temple below. I was in the right place—at the wrong elevation. I ran the long and winding road to the temple entrance and arrived trying not to pant or look obviously winded. I took off my shoes, stepped into the hallway, and froze. The jushoku (chief priest) was walking towards me.

“Here for zazen?” he asked.
“Yes,” I replied.
“You can understand Japanese?”
“Yes.”
“Good. Go upstairs and wait.”

I climbed the stairs and arrived in a carpeted room where eight or so people were already sitting silently. There were no bags or coats to be seen. I hesitated. At last, the man nearest to me opened his eyes and looked at me.

“You’re new?” he asked.
“Yes. My bags…”
“Go in the back room, there.”
I walked straight down the middle of the room. Someone giggled. I realized I’d erred, but was already halfway there. My bag and coat stowed away, I returned along the outer edge of the room.

“This is your first time, right?” asked the same man when I returned. “Take a seat there; the jushoku will come and show you what to do.”

I sat on my calves in a seiza. Uncertainty helped me hold the position. Another participant entered and I watched him put his bags away, go through a series of bows and steps and take a seat. The jushoku arrived showed me how to do the same gestures: how to hold my hands, where to bow, and how to sit.

It was a two-hour session with two short breaks. Though I was only in half lotus, after the first break, my legs hurt so much that I was only enduring the time. When the jushoku got up and walked around with a keisaku stick, I didn’t understand what was going on; when the man next to me was beaten with it, the shock I felt at the crack-crack-crack-crack! made the pain recede—but only temporarily. I could barely stand when it was over. My whole body was trembling with pain.

But as we sat around a table and drank matcha, the atmosphere was lighthearted. The jushoku was friendly and kind. It wasn’t the most ideal place for a complete beginner; yet it felt completely worth it.

初めて坐禅会に行った私は、とんでもない間違いを次々に侵した。時間と場所から文京区の是照院を選んだ。初参加者が前日までに送らなくてはならない参加希望のメールを、前日の23時50分過ぎに送った。当日の朝に確認メールが届いたので、夕方に緊張と期待の間を行き来しながら、是照院へ向かった。しかし、スマホに導かれた先は何もない駐車場…。駐車場は小さな崖の上にあり、下を見下ろせば寺らしき建物が見えた。場所はそこそこあっているが、標高が間違っているらしい。寺の山門へ回る長い道を走り下り、到着するなり上がった息を整えようと努めながら入っていった。靴を脱ぎ、廊下へ上がると、身が一瞬凍った。住職様がこちらへ歩いてきている。

「坐禅会?」
「はい」
「日本語は?」
「大丈夫です」
「じゃあ、上がって待っていてください」

言われた通り、廊下の横の階段を上がって行った。青いカーペットの部屋には既に8人ほどが静かに座っていた。コートや荷物はどこにも見当たらない。戸惑ってそこに立ち尽くしていると、一番近い人が目を開き、声をかけてくれた。
「初めてですか?」
「はい。荷物は…」
「奥の部屋です」
言われるままに、部屋のど真ん中を歩いて行った。クスクスと押し殺したような笑い声が耳に入り、あ、間違えた、と気付いた時にはもう遅かった。戻るほうが迷惑だろうと思い、そのまま奥の部屋まで進んだ。コートと荷物を置き、戻るときには部屋の外側を歩いて行った。

そしてまた同じ人が声をかけてくれた。
「初心者ですよね?そこに座ってください。ご住職様が指導しますので」

その場で正座した。戸惑いに、苦手な正座を保ち続けることは気にならなかった。もう一人入ってきた。荷物を奥の部屋に置き、合掌や辞儀を繰り返してから座布団の上に座るのを観察した。住職様が上がってきては同じ動作を一つ一つ丁寧に教えてくれ、座り方も教えてくれた。

坐禅会は休みを二つ挟んだ、2時間に渡るものだった。半跏趺坐しかしていないのに、一つ目の休憩の後には既に痛みを我慢しているだけになっていた。住職様が立ち上がって警策を持って歩き回ると、何が起こっているのかわからずただじっとしていた。隣の男が警策を受けると、沈黙を破るその「パシッパシッパシッパシッ!」という音に激しく驚き、しばらく痛みも去った。だがそれも束の間のこと。坐禅会が終わる頃には立ち上がることさえ辛かった。痛みに全身がしばらくとめどなく震え続けた。

だが茶礼の抹茶を飲みながらローテーブルを囲んで座ると、痛みさえ気にならなくなるほどに安らかな雰囲気が漂った。住職様は優しく、気の良い方だった。完全に初心者である私には向かない所だったのかもしれない。それでも、行って本当に良かったと思う。


Plain Talk

TOKYO NOTICE BOARD MARCH 22. 2019

An Unexpected Visit to Shibata Castle by A. Stoica

On the last day of my business trip to Shibata city, Niigata prefecture, after a stormy typhoon, I found myself stuck at the railway station waiting for the delayed train, which no one seemed to know when it would arrive. Suddenly, one kind Japanese lady approached me and after few general questions, asked me what I was planning to do during that time. I had no idea. She said that the trains might be really late, so it would be wiser to check-in to a nearby business hotel and spend the rest of the day visiting the city. After all, it was my first visit there and I surely could see and learn something about this place. She mentioned that Shibata castle was worth visiting, as there were interesting legends about it, and she could go with me to show me around. Visiting a mysterious castle and learning about its legends? A big Yes for me!

One hour later we could admire the Shibata castle and its famous nicely shaped stone wall. The lady told me that the original wall were destroyed in a large earthquake in 1669, but it had been rebuilt using a special technique of shaping stones (Kirikomihagi) and piling them without spaces. Skillful wall craftsmen were gathered from the nearby areas to help with the reconstruction. The stone wall (about 350 m long) is evaluated as the top-class construction in the whole country. In 2002, a part of Honmaru (main building) including the stone walls were designated as cultural assets.

The lady explained me different details about the castle’s history and design. I learned that initially, the castle was called Funagata-jyo - the boat shape castle, because the main bailey looked like a boat. It is also called Ayame-jyo because the irises were blooming in the wetlands around the castle. Also, according to a local legend, the castle was called Kitsuneobiniko-shiro (the foxtail drawing castle) because it is legendary said that when the architects struggled with the plan of the castle design, a fox appeared and gave them a clue by drawing with its tail on the snow. During a big reconstruction operation during 1999-2004 the castle towers were restored correctly. The castle tower was called Sankaiyagura (The three story tower) and it is the only castle in Japan that the roof of the top is T-shaped and each corner has Shachijoko (an imaginary sea animal with the head of a tiger and the body of a fish).

I was so happy and grateful for the chance of learning about this new place, so I would highly recommend a visit at this interesting historic site (free entrance) if you get the chance!

Tokyo Fab

TOKYO NOTICE BOARD MARCH 22. 2019

Sakura no Hana Saita Hi ni -A Day when Cherry Blossom Bloomed-

Get awed with a stunning cherry blossom tree with 10,000 of delicate cherry blossom petals that are handmade one by one out of papers.
This exhibition will take you to an enchanting world of 'Kazuhiro Kanazawa', a paper sculpture artists, who makes his art from all kinds of papers. Known for his warm somewhat nostalgic works, the comforting aspects in his works are important to him, which makes his work more intriguing. To make your visit more interesting, visit his website to see how he creates his art!!

http://5cenchi.jugem.jp/

April 1st (Mon) - 6th (Sat)
11am ~ 7pm (~5pm on the last day)
@ SPACE YUI
1F Hayakawa Bldg., 3-4-11 Minami Aoyama, Minato-ku, Tokyo 107-0062
(Closest Sta: 8min from Gaien-mae / 10min from Omotesando Sta.)

http://5cenchi.jugem.jp/

 

Spring Festival in Tokyo 2019

Welcoming its 15th anniversary, Spring Festival in Tokyo re-embraces the cultural aspects of Ueno whilst cerebrating this beautiful spring when cherry blossom petals are dancing in the air. Listen to the great music conducted by maestros and be a witness of this incredible moment when music, culture and beauty thrive in the Ueno park. Let it be a reminder from Mother Nature not just survive in your day existence, but to thrive and be fully present.

March 15 (Fri) - April 14 (Sun), 2019
@ Ueno Onshi Park (Tokyo) and more

For more details and concert schedules, please visit

http://www.tokyo-harusai.com/index_e.html


What’s App With You?

TOKYO NOTICE BOARD MARCH 22. 2019

Cosmicast:

Cosmicast is a cool podcast player built with iOS design guidelines in mind. It’s as useful as it looks. With a customizable grid layout and three sets of themes to choose from, if you like cool graphic interface, this could be a podcast player for you. There are no complicated user accounts or settings to configure, so you can pick it up and get started immediately. With even faster OPML podcast importing and a handy search section that’s categorized effectively to show you only what you want to see, this cool podcast player makes listening to your favorite podcasts a joy! Long-holding buttons give further options to enhance your experience and other features like drag and drop podcast rearranging, 3D touch support, imessage stickers, and siri shortcuts as well.

Visit Timeline:

Visits tracks where you go and builds a personal timeline & a map of all the places you’ve been. It’s automatic, energy efficient and private. It runs in the background but does not drain your battery significantly. Simply close the app and just forget about it till you need to see where you’ve been. Visits is always working for you! Anyone who travels from place to place can use Visits to find places they have been or track time to see their day better. From Vloggers to Carpenters, plumbers and electricians, who often travel to different homes everyday, Visits can help you keep track of all your job locations, how many times you’ve visited the same home and how much time you have spent at each place so you can manage your schedule better.

 

Tokyo Voice Column

TOKYO NOTICE BOARD MARCH 22. 2019

Perfect Balance by Esteban Lopez

It is still beyond me how Japan is able to balance nature and an urban setting so seamlessly. I am astonished by how every square inch of Japan is flawlessly dedicated to either nature or a structure. In some cases, the two even come together effortlessly.

Just today on a walk down a street in my town of Tachikawa, I was stunned when I rounded a corner onto a sidewalk and the sun’s rays were swallowed up by a barricade of Cherry Blossom trees that hugged the left side of the sidewalk with their large and immaculately manicured branches stretching across the pathway.

It felt something like stepping into Totoro’s secret garden. Just a couple of steps beforehand, I was on a main thoroughfare filled with bicyclists, cars and vans and people rushing to and fro and now I stood at entrance of a red brick path overshadowed by large trees on the left hand side and a hedge, waist high on the right. I slowly took a step into the darkened path and looked up at the streaks of sunlight that spilled onto the branches and highlighted the white blossoms that still remained on the branches.

As I walked in awe of the magnificent sight, my attention was drawn to the groundskeeper wearing a Tachikawa cap and who looked as if there could be no better position in life than to maintain the beauty and splendor of that pathway. For a brief moment, I envied him and his position. To be in charge of maintaining such a beautiful monument was the best job any person could hope for. I wanted to thank him in Japanese for all he did, but my Japanese isn’t that strong and I only hope that the large grin on my face was evidence enough of appreciation for all he did for that portion of nature.

どうして日本では、自然と都会がしっくり調和できるのかいまだにわからない。日本ではどこに行っても、自然か都会的建造物に特化された様に驚かされる。自然と建造物が無理なく共存している所さえある。

今日私の住んでいる立川市の通りを歩いていて、歩道の角を回ろうとした際、桜の木が太陽の光で包まれている光景を見て息を飲んだ。小道を覆うように手入れの行き届いた太い枝は伸びて歩道の左側を抱きかかえていた。

まるでトトロのひみつのトンネルに迷い込んだような気がした。数歩手前まで、自転車、車、トラックや人が行き交う交通量の多い通りにいたが、今、垣根があり左手の大木が影を落とす赤煉瓦の小道の入り口で立ち止まっている。それからゆっくりと影となった暗い道を歩き始めた、枝の間からこぼれ落ちる太陽の光線を見上げると、光線は枝にまだ残る桜の白い花を輝かせていた。

素晴らしい景色に畏敬の念を抱きながら歩みを進めると、立川市の帽子をかぶった管理職員に目が止まった。手入れの行き届いたこの小道を管理できることを誇らしく思っているように見えた。私は彼をうらやましく思った。こんな見事な芸術作品を管理できるなんて誰もがあこがれる最高の仕事だろう。日本語で彼に感謝の言葉を述べたかったが、日本語が達者でない私は、ニヤッと大きな笑顔を見せて、丹精こめた彼の仕事に感謝した。

Strange but True

TOKYO NOTICE BOARD MARCH 22. 2019

What would you do?

People love to moan about "the problem with the kids these days..." Sometimes, it's unfair and unfounded. Other times, however, there's good reason to. Take this young man who was riding the New York subway recently. The youth in question was spread out over three seats with his feet up, engrossed in his phone. Then this gentleman turned up and basically just sat on him. It's a bold move, but it might have paid off. Clearly shocked, the young man pulls a genuinely priceless face, and the adult woman travelling with him makes a halfhearted attempt at intervening. As for the bloke who's just plonked himself down, he just carries on as if sitting on a kid is the most normal thing in the world. What would you do?

You can't hide your poshness

You can normally work out how posh someone is based on the way they speak and where they live. But according to an etiquette expert there are a couple of things that reveal if somebody is truly posh. An expert revealed the two little signs which give away people who are actually posh. The first is how you hold your glass when drinking white wine or champagne. If you are posh, you'd hold the glass by the stem. In fact, that's why wine glasses are actually designed with the stem rather than just a normal rounded bowl. The same rule applies if you’re drinking champagne or prosecco from a flute. The second sign is how much time people spend enjoying nice things like afternoon tea. It is about people taking their time. It's your moment to be here, he says. So, if you want to be posh, don't rush through the experience. Posh people never do!!

 

50 Shades of Yikess